L.A. Rio Spectacular
2005 A Crazy Politically Incorrect Satire



 

This was the official website for thew 2005 film, L.A. Rio Spectacular, crazy politically incorrect satire about the 1992 LA riot.
Content is from the site's archived pages as well as from other outside sources.

Director:Marc Klasfeld
MPAA Rating:R (for pervasive language, violence, some sexual content and brief drug use)
Screenwriter:Marc Klasfeld
Starring:Snoop Dogg, T.K. Carter, Charles S. Dutton, Emilio Estevez, George Hamilton, Charles Durning, Christopher McDonald, Jonathan Lipnicki, Ted Levine, William Forsythe, Ronny Cox, Jude Ciccolella, Ron Jeremy, Tabitha Stevens, Shay Roundtree
Release date:August 4, 2006  (LA)
Studio:Rockhard Films

 



The L.A. Riot Spectacular - Trailer
THE L.A. RIOT SPECTACULAR, narrated by Snoop Dogg, is an outrageous all-star satire starring T.K. Carter, Charles Durning, Emilio Estevez, Christopher McDonald, Charles S. Dutton, Ronny Cox and George Hamilton plus appearances by adult stars Ron Jeremy and Tabitha Stevens. The film bravely tackles Los Angeles' devastating riots that erupted after the Rodney King beating. As funny as it is thought-provoking, this gloriously politically incorrect comedy reenacts the videotaped beating and continues through the police officers' trial and the destructive aftermath. The film riffs on the city's explosive ethnic and social tensions, skewers the media's hunger for higher ratings and digs into the hypocrisy of the Los Angeles Police Department.

After the explosive, destructive Los Angeles riots of April 1992, the controversial figure in the eye of the storm, Rodney King, meekly queried the charred, smoldering city with one of the most memorable catchphrases of the 90s: "Can't we all just get along?" Well, apparently more than a decade later, we have-so much so that we're able to laugh at our predicament. The urban offspring of Spinal Tap and the Naked Gun series, L.A. Riot Spectacular wittily satirizes the Rodney King verdict and its riotous aftermath, spoofing the LAPD, the media, and the stereotypes that continue to haunt African American, Jewish, Mexican, and Korean citizens today.

Rapper/actor Snoop Dogg serves as a hip-hop Greek chorus and joins a cast that includes George Hamilton, Charles Dutton, Emilio Estevez, TK Carter, Charles Durning, and Ron Jeremy. In director Marc Klasfeld's consistently amusing version of this West Coast legend, Rodney King and Reginald Denney get to walk a paparazzi-lined red carpet, a hospitalized King gets hooked up to a 40-ounce I.V., and the police officers responsible for his beating become tour bus-riding rock star-like heroes. Intercut with actual news footage from the King beating, riots, and looting, this send-up takes a critical look at the volatile class issues of our multicultural society, always remembering never to take itself seriously.

ABOUT THE DIRECTOR

Marc Klasfeld is one of the top music video directors in the world. His award-winning and breakthrough videos for such diverse artists as Jay-Z, Foo Fighters, Nelly, Sum 41, Beyonce, Eminem, Enrique Iglesias, Bon Jovi, N'Sync, and Jewel have dominated MTV playlists and established Klasfeld as a director with a very unique voice. Klasfeld grew up in New Jersey and graduated from NYU's Tisch School of the Arts and founded his own production company, Rockhard Films. He has also directed many commercials for such clients as Nike, Subway, Gateway, Reebok and ESPN.

 

REVIEWS

 

 

IMDb User Review

An odd, cheap and far too simplistic movie.

4/10 27 November 2011 | by Boba_Fett1138

It always seemed like a weird thing to me; a comedy about the 1992 L.A. riots. But that was exactly the reason why I also really wanted to see this movie. It sounded crazy! Also due to the involvement of Snoop Dogg. And it was crazy alright, just not in a very funny or good way.

I really don't understand what the movie is trying to achieve with its comedy. You would think that it's perhaps a sort of social satire and commentary on the whole situation but the movie however is making fun of everyone and everything. It's making fun of and it's criticizing the role of the media. It's making fun of the police, making fun of the protesters, victims, lawyers and the whole court-system and whatever more. Even the beating up of Rodney King is portrayed as something funny.

But thing with its comedy as well is that it isn't anything funny or greatly written. It's being quite childish and simplistic with all of its humor, maybe even borderline offensive. It's making fun, in quite a harsh way, of a ton of religions and ethnicities.

But just like its script and comedy, the whole movie is a real cheap one. It has an horrible, shot on video, type of look and the movie just looks as if they didn't even had a budget to work with.

It almost seems that this was a fun, vanity, project for Snoop Dogg and he blackmailed or forced some of his Hollywood friends to help him out with this project. It would explain why some well known and respected actors appear in this movie, that normally would stay miles away from a project such as this one.

Seriously, why are people such as Charles S. Dutton, Emilio Estevez, George Hamilton, Charles Durning, Ted Levine and Ronny Cox in this movie? And it's not like they are only doing cameos but they actually play the most 'important' roles of the movie. It's such an odd sight to witness them in such a cheap and just plain amateur like production, such as this one.

I really thought this movie would be fun but it turned out to be a bitter disappointment.

~~~~~

Dogs eye view: No doubt about it, L.A. Riot Spectacular was a dud. But that's one of the reason I added it to the list of films, me and my buds lined up for our monthly get together to view the worst films made. We had started this little gathering when we were in film school at NYU and have continued it for about five years now. We haven't run out of films to view. My partner will sometimes watch our monthly choices with us, but rarely lasts for the entire film(s). She left rather early on with L.A. Riot Spectacular saying she was going to see if she could find a dog pillow bed for our new little pooch, Peaches. For some reason Peaches loved to curl up on pillows to take her nap. That included our pillows on the bed. So we decided the way to go was to buy a dog bed that looked like a pillow. While we watched L.A. Riot Spectacular, my partner found a great website called GoodnightDog that sold round dog beds that were perfect. In fact the bed looked so much like a regular floor pillow that friends who came to visit often mistook Peaches' dog bed for a floor pillow. Fortunately Peaches was willing to share her pillow bed with humans, unlike us who were not willing to share our bed pillows with our dog. Umm! Peaches also didn't have any opinions about L.A. Riot Spectacular either!

~~~~~

TOMATOMETER CRITICS 29% | AUDIENCE 39%

 

Aug 10, 2006
John Anderson
Variety  Top Critic
[The] pic feels overlong because once it's established that this is going to be a tasteless, if occasionally hilarious, exercise in social criticism, the movie needs to constantly accelerate the level of hilarity, which is impossible to do.

~~~

Aug 10, 2006 | Rating: 1.5/5
Mark Olsen
Los Angeles Times
A veteran director of music videos, [Marc] Klasfeld has for his feature film debut churned out a lifeless series of sketch-comedy ideas that presumably would make even the Wayans brothers blanch at their broadness.

~~~

Jul 15, 2006 | Rating: 2/5
Chris Barsanti
Filmcritic.com
A film that works overtime to offend each and every ethnic group and economic class that makes up the smoggy purgatory of Los Angeles while simultaneously patting itself on the back for being so putatively daring.

~~~

Aug 4, 2006 | Rating: F
Brian Orndorf
FilmJerk.com
Stunningly, the end of 'The L.A. Riot Spectacular' promises a sequel taking on the OJ Simpson trial. If I have to physically go to the west coast and prevent this from happening, I'm prepared to make that commitment.

~~

Aug 10, 2006
Steven Mikulan
L.A. Weekly
 Top Critic
The gags are mortally unfunny.

 

 

The L.A. Riot Spectacular

"The L.A. Riot Spectacular" is a comedy that's vulgar, disturbing, distasteful and violent, but so is injustice and civil unrest. T.K. Carter plays Rodney King with a hustler brio in a film so eager to be an equal-opportunity offender it will put off even adventurous distributors. But cable outlets should leap at it

By JOHN ANDERSON MAY 10, 2005 | https://variety.com/

“The L.A. Riot Spectacular” is a comedy that’s vulgar, disturbing, distasteful and violent, but so is injustice and civil unrest. T.K. Carter plays Rodney King with a hustler brio in a film so eager to be an equal-opportunity offender it will put off even adventurous distributors. But cable outlets should leap at it.

It was in March of 1991 that King was beaten by police, whose actions were caught on videotape. The cops were subsequently tried and exonerated, setting off violence that left 55 dead, 2,000 injured and more than $1 billion in property damage. Whether auds — especially in Los Angeles — will find the movie funny, hateful or just a little tardy, may depend whether they think anything has changed since the early ’90s.

The cops, including officers Powell and Koon (Emilio Estevez and Christopher McDonald) are betting on whether the driver of the car they’re pursing will be black, Mexican or Asian (“Always bet on black,” says Powell). “Let the beating commence,” says King, his life story failing to sway the sentiments of the baton-wielding officers.

“A textbook example of policing,” says Chief Gates (Ronny Cox) of the King arrest, even as he prepares to scapegoat Powell and Koon and keep the media off his tail.

“The L.A. Riot Spectacular,” like a live-action “South Park,” doesn’t care how far it goes, but always seems to have a grain of truth behind its humor. It’s calculatedly harsh that a besieged Asian business would be called “Mr. Kim’s Riquor” or a black church “Cracker Hatin’ Ministries,” but the names reflect the real biases and resentment that fueled the 1992 riots. Members of the Crips and Bloods, lining up over an open grave and falling in, two by two after they shoot each other, may be a burlesque, but the sense of pointless waste isn’t irrelevant.

Portrayal of a sort of parasite class may be the most painful (if often one of the funnier) part of the film: Anne-Marie Johnson and David Rasche play a pair of “Entertainment Tonight”-type correspondents who urge rioters into more camera-friendly mayhem, ignore any injustice that isn’t on tape and generally — as many observers then noted of the media — throw gas on the fire. Similarly, Charles Durning’s turn as lawyer Steve Lerman also won’t be doing much for the image of the legal profession.

Still, pic feels overlong because once it’s established that this is going to be a tasteless, if occasionally hilarious, exercise in social criticism, the movie needs to constantly accelerate the level of hilarity, which is impossible to do.

Acting is deliberately over the top, and tech aspects purposely approximate the non-pro look of such guerrilla video as the King beating itself.

The L.A. Riot Spectacular

PRODUCTION: A Rockhard Films/Visionbox Pictures production in association with Entitled Entertainment, El Camino Pictures, Cherry Road Films, Richman-Katz Entertainment. Produced by John Bard Manulis, Marc Klasfeld. Executive producers, James Burke, Scott Disharoon, Bob Yari, Bo Hyde, Kendall Morgan, Keith Richman, Charles Katz. Co-producers, Barry Opper, Chris Miller, Lulu Zezza. Directed, written by Marc Klasfeld.

CREW: Camera (color, DV), Barry Norwood; editor, Richard Alarcon; music, Nicholas Pike; music supervisor, Frankie Pine; production designer, Alan E. Muraoka; set decorator, Kris Fuller; costume designer, Gitte Meldgaard; sound (Dolby SR), Daniel D. Monahan; special-effects coordinator, Josh Hakian; visual-effects supervisor, Morris Paulson; visual effects, Base 2 Studios; stunt coordinator, Mike Smith; choreographer, Tony Gonzalez; associate producers, Alison R. Foster, Khene Tan, Randy Weiss, Amanda Fox, Robin Frank, Jalina Stewart; assistant director, Joseph E. Lotito; casting, Heidi Levitt, Mia Levinson Wheeler. Reviewed at Tribeca Film Festival (Wide Angle), April 27, 2005. Running time: 80 MIN.

WITH: Officer Koon - Christopher McDonald Officer Powell - Emilio Estevez Rodney King - T.K. Carter Chief Gates - Ronny Cox Mayor Bradley - Charles Dutton Byung Lee - John Shin Soon-Il Lee - Satya Lee Harry - David Rasche Mary - Anne-Marie Johnson Steve Lerman - Charles Durning Narrator - Snoop Dogg The King of Beverly Hills - George Hamilton

 



The LA Riot Spectacular Trailer
Rodney King, PCP, police, fire, riots and rap. What else is there? This crazy politically incorrect satire about the 1992 LA riots stars Snoop Dogg, Emilio Estevez, George Hamilton, Charles Dutton, Ron Jeremy, Tabitha Stevens and Jonathan Lipnicki...sure to offend just about everyone. Variety said, "this sh**t is like a live-action South Park!...Hilarious!"

 

 

Movie Review: The L.A. Riot Spectacular

Sunday, September 27, 2015 | http://shamelesspile.blogspot.com/
The L.A. Riot Spectacular a.k.a The L.A. Riot Show
Rockhard Pictures, Visionbox Pictures, entitled entertainment, El Camino Pictures, Cherry Road Films, RichKatz Entertainment, USA, 2005.

 

This is a satire film about the 1991 Rodney King incident and the following Los Angeles riots. Snoop Dogg tells a classic American tale.

From the beginning it is clear that the movie takes a tongue in cheek approach. Rodney King's (T.K. Carter) pursuit is presented as a police car race. Then the cops place bets on what race the driver will be. George Holliday (William Forsythe) films the beating on videotape from his balcony. Later he starts to film adult films.

The videotape is auctioned for the highest bidder. KTLA-channel buys it and shows it over and over and over... again. Media interviews Rodney. Rodney wants to sue the cops so he could be filthy rich. Everyone wants to know what brand of clothes Rodney is wearing tonight.

Black politicians urges the black against the cops. The Mayor (Charles S. Dutton) is unable to calm people and actually makes the situation worse. The Police Chief (Ronny Cox) congratulate the cops on job well done. The he fires them. Officers Koon (Christopher McDonald) and Powell (Emilio Estevez) become the scapecoats so the rest of the police force can wash their hands.

The criminal gangs decide that it is futile to kill each other abd combine their forces. On retrial the cops are freed. The Nazis Tom Saltine (Ted Levine) and his son Tom Jr. (Jonathan Lipnicki) are happy. The shooting of black teen Latasha Harlins by Korean shop owner further raises the racial tensions. The beating of white truck driver Reginald Denny starts the riots. TV hosts Harry (David Rasche) and Mary (Anne-Marie Johnson) throw more fuel to the fire. The gangstas notice that "Oh no, we're burning our own hood to the ground." Nielsen ratings rise record high.

It is quite difficult film to watch without knowing the exact background of the riots. I found myself googling for names every time a new character was introduced. This is like "South Park" with radio stations from "Grand Theft Auto." Jokes are made about every ethnic and demographic group in Los Angeles. As well as about police, media, politicians, gangs, protesters, lawyers, celebrities and people chasing their 15 minutes of fame.

The movie looks like it was filmed with cheap 1990s video camera. It looks intentionally ugly and cheap in the style of amateur videos. Some jokes are hilarious and some are not and then there is also Ron Jeremy. It is outrageous with politically incorrect jokes that are sure to offend. However the stereotypes are aimed at everyone. There is similar gang culture parody as in "Don't Be a Menace to South Central While Drinking Your Juice in the Hood" with ever-present 40 oz malt present bottles and random acts of gang violence. However the jokes get repetitive which makes the social satire less effective. Not a movie for everyone but recommended for fans of "South Park" style controversial satire. By taking no sides it shows how pointless the riots were and how nothing hasn't changed. Can't we all just get along? asks narrator Snoop Dogg.

 



 

More Background on LARiotMovie.com

LARiotMovie.com is most closely associated with the satirical film The L.A. Riot Spectacular, which premiered in 2006. The website functions as a promotional and informational hub for this film, though it is not widely recognized in mainstream internet culture. This article draws exclusively from independent sources and general film industry information to provide a detailed look at the site’s context, the film it represents, and its broader cultural footprint.

Ownership and Location

There is no independent documentation identifying the specific owners or operators of LARiotMovie.com. The domain is not listed in major business directories, and its registration details are not publicly highlighted in news or industry reports. Based on standard practices for film promotional websites, it is likely that the site was created and maintained by the production companies behind The L.A. Riot Spectacular—Rockhard Films and Visionbox Pictures—but this cannot be confirmed without direct access to the site’s official documentation.

The physical location of the website’s operators is not disclosed in any independent sources. Most film promotional sites of this nature are managed remotely or through production offices in Los Angeles or New York, but there is no evidence to confirm this for LARiotMovie.com.

Popularity and Audience

LARiotMovie.com was not a high-traffic or widely discussed website. The film it promotes, The L.A. Riot Spectacular, is itself a niche project with a limited but dedicated following among fans of provocative, satirical comedy. The film’s IMDb page shows a modest user rating and a relatively small number of reviews, indicating that both the film and its official website appeal to a specialized audience rather than the general public.

Film Overview and Cultural Context

The L.A. Riot Spectacular is a satirical comedy that tackles the events surrounding the 1992 Los Angeles riots, which erupted after the acquittal of police officers involved in the beating of Rodney King. The film is known for its politically incorrect humor and its willingness to lampoon all sides of the conflict, including the police, the media, politicians, and various ethnic communities. Narrated by Snoop Dogg, the film features a cast of notable actors, including Emilio Estevez, Charles S. Dutton, George Hamilton, and Ron Jeremy.

The film’s approach to satire is broad and unapologetic, drawing comparisons to shows like South Park for its willingness to offend across the spectrum. It uses exaggerated stereotypes and absurd scenarios to critique the media’s role in sensationalizing the riots, the hypocrisy of law enforcement, and the broader social tensions in Los Angeles at the time.

Critical Reception and Reviews

The L.A. Riot Spectacular received mixed to negative reviews from critics. On Rotten Tomatoes, the film holds a low Tomatometer score, with critics citing its tastelessness, repetitive humor, and lack of subtlety. Audience scores are similarly modest, reflecting the film’s divisive nature. Reviewers have described the movie as “overlong,” “lifeless,” and “borderline offensive,” while acknowledging that it occasionally succeeds in its attempts at social criticism.

Some critics have noted that the film’s low-budget aesthetic and intentionally crude visuals contribute to its amateurish feel, but also serve to underscore its satirical intent. The acting is deliberately over-the-top, and the film’s technical aspects are designed to mimic the look of amateur video, echoing the style of the original Rodney King footage.

Cultural and Social Significance

Despite its mixed reception, The L.A. Riot Spectacular holds a certain cultural significance as a bold, if flawed, attempt to satirize a deeply traumatic event in American history. The film’s willingness to offend all sides reflects the complexity and volatility of the issues at the heart of the 1992 riots. By refusing to take sides, the film highlights the senselessness of the violence and the enduring nature of social divisions in Los Angeles.

The film’s use of exaggerated stereotypes and absurd humor is intended to provoke thought and discussion, though it often risks alienating viewers with its relentless irreverence. For fans of edgy, politically incorrect comedy, The L.A. Riot Spectacular is a notable, if controversial, entry in the genre.

Website Features and Content

While specific details about LARiotMovie.com’s content are not available from independent sources, typical film promotional websites of this era would include the following:

  • Trailers and Clips: Video content showcasing the film’s style and humor.

  • Cast and Crew Information: Biographies and filmographies of key participants.

  • Press Materials: Interviews, articles, and reviews from the film’s release.

  • Behind-the-Scenes Content: Production notes, stills, and anecdotes from the making of the film.

  • Merchandise and Downloads: Occasionally, promotional items or downloadable content related to the film.

Given the film’s niche appeal and limited commercial success, it is unlikely that LARiotMovie.com offered extensive interactive features or ongoing updates beyond its initial promotional period.

Awards and Recognition

The L.A. Riot Spectacular did not receive significant awards or mainstream recognition. Its premiere at the Tribeca Film Festival in 2005 marked its highest-profile screening, but it was not widely distributed or celebrated in the industry. The film’s notoriety stems more from its controversial subject matter and provocative style than from critical acclaim or accolades.

Media Coverage and Press

Media coverage of The L.A. Riot Spectacular was limited but notable for its focus on the film’s audacity and irreverence. Major outlets such as Variety and the Los Angeles Times reviewed the film, often highlighting its tasteless humor and social commentary. The film was also discussed in niche film blogs and online forums, where it gained a small but passionate following among fans of satirical comedy.

Audience and Fan Base

The audience for The L.A. Riot Spectacular and, by extension, LARiotMovie.com, is primarily composed of fans of politically incorrect humor and satirical films. The film’s willingness to tackle sensitive subjects and its star-studded cast have helped it maintain a cult following, though it remains largely unknown to mainstream audiences.

Known For

LARiotMovie.com is best known as the official website for The L.A. Riot Spectacular, a film that stands out for its bold, irreverent take on the 1992 Los Angeles riots. The site is recognized among fans of the film as a source of information, trailers, and promotional materials, though it is not a major destination in the broader online film community.

Insights and Analysis

The existence of LARiotMovie.com reflects the broader trend of independent films using dedicated websites to promote their work directly to fans. In the mid-2000s, before the rise of social media, such sites were a crucial tool for niche films seeking to build an audience outside of traditional distribution channels.

The film’s approach to satire—equal-opportunity offending and a refusal to take sides—mirrors the chaotic, multifaceted nature of the events it depicts. While the film’s humor is often crude and its social commentary heavy-handed, it remains a unique artifact of its time, capturing the zeitgeist of early 2000s satirical comedy.

Examples of Content and Style

While independent sources do not provide specific examples of LARiotMovie.com’s content, it is reasonable to infer that the site would have featured:

  • Trailers: Highlighting the film’s satirical tone and star-studded cast.

  • Cast Interviews: Featuring Snoop Dogg, Emilio Estevez, and other actors discussing their roles and the film’s controversial themes.

  • Press Clippings: Links to or excerpts from reviews in Variety, the Los Angeles Times, and other outlets.

  • Behind-the-Scenes Features: Insights into the film’s production, including its low-budget aesthetic and satirical intent.

 

LARiotMovie.com serves as a digital archive and promotional platform for The L.A. Riot Spectacular, a film that remains a polarizing and provocative entry in the genre of satirical comedy. While the website is not widely known or frequently visited, it holds a place in the history of independent film promotion and offers a window into the cultural conversations of the early 2000s. For fans of edgy, politically incorrect humor, both the film and its official website are notable for their boldness and irreverence, even as they remain on the fringes of mainstream recognition.

 

 



LARiotMovie.com